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The noise reduction function works rather well though can make noisy images, soft.
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One area of inconsistency is that many of the functions bring up a Dual View, full screen dialogue box, whereas others produce just a small dialogue, have before and after versions or apply the effect without any adjustment options. Equally, the sharpen and blur adjustments will hold no unpleasant surprises for anyone coming from other packages. For standard adjustments, including colours, this is all good. There are also variations on them like Shadow/Midtones/Highlight, which works just like Photoshop's Shadows/Highlights adjustment, except it has something for the mid-tones as well. The standard adjustment tools are Levels and Curves and these have been implemented properly. The noise removal is quite good though, containing options for what kind of noise to look for. The chromatic aberration tool seems a bit variable in its effectiveness and the HDR image creation system is quite poorly implemented. Most of these work quite well, particularly the lens distortion correction, and are worth having. For digital photographers there are a few headline functions like white balance correction, chromatic aberration correction, HDR image creation, lens distortion, noise removal and photo frames. What's strange is that Adjust and Photo have an Auto-Process option for automated processes, but the Photo menu is simply a cut down version of the Adjust one.
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The options are split up into standard categories like Edit, Adjust, Photo, Effect, Selection, Object, Web, View and Window. The document map allows easy access to multiple files. The main menu has dockable palettes and is customisable. This can also be closed so that there's more room for the other elements like the brush palette, layer manager and command history panel. On the dockable palettes it seems a squeeze to get everything in, so putting a help guide there doesn't really utilise the space well.
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For just one image it's in the way, but can be closed to free up workspace. The Document map shows what images are loaded, which makes it easy to swap between them in complex editing jobs, or when cutting and pasting.
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Tools go down the left, menu options and shortcut icons along the top, the document map along the bottom and the dockable palettes go on the right.
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Whichever mode is selected, the workspace is fairly uniform. The Full Edit mode contains everything, whereas Video & DVD concentrate on creating menu pages and The Web is for webpage graphics. The alternative to this are the Full Edit, Video & DVD and The Web options. Most of the effects menus are still available, but layers and objects are gone. ExpressFix is the happy snapper fix it up option that is there to correct colours, focus, exposure and noise. There are essentially four editing modes to the program which change what windows, menus and functions are available to varying degrees. So, does PhotoImpact 12 have anything to offer the digital photographer that they couldn't get in Elements or PSP? Read on to find out. The answer is largely third party licencing to hardware manufacturers of items like scanners and printers.
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Some software exists because enough people keep buying it to warrant and support a new version, but you have to wonder how PhotoImpact has managed to get to version 12.
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Microsoft Windows 2000 SP4, XP Home/Pro SP2, XP Pro 圆4 Is there really life outside of Photoshop Elements and Corel's Paint Shop Pro in the budget market? Duncan Evans explores the latest version of Ulead's inexpensive offering.